Macbeth: Character Descriptions
Macbeth: Character Descriptions
A common theme between both this and Tempest can be summed up from the Coldplay lyrics for "Viva la Vida:"
"And I discovered that
My castles stand
Upon pillars of stone
And pillars of sand...."
Macbeth
Character
Descriptions
MACBETH. (Male) A
very minor soldier at the outset, self-effacing, jocular, who becomes by
a
combination of pressure, fear, and ambition, more bloody. It is
important that he radiate a sense of
warmth and kindness that draws the audience in, despite his increased
monstrosity. He should be always in danger of salvation—just
before he rejects it. In some ways, he
is driven by a need to please and prove himself to others.
LADY
MACBETH. (Female) A powerful and
alluring woman, whose beauty lies not in her face, but in her fascination. She is of better birth than Macbeth, and
feels the unevenness in their stations, and her present situation keenly. Her marriage was a love match, but to a
Machiavellian woman, who would sleep with Duncan to get Macbeth his first
advancement (pre-show), and then ruthlessly urge Macbeth to kill to get the
next. This production is particularly
interested in her statement that she had a child, who seems not to exist. Unless Lady Macbeth’s tryst with Duncan
produced an heir…whom she disposed of while very young. The death of children will prove her undoing.
DUNCAN. (Male)
The King is not necessarily an old
man, although he is older than the Macbeths, but he more perfectly resembles
the rowdy boisterousness of Henry VIII, even in his later years. He is lecherous, and has enjoyed an affair
with Lady Macbeth, for which he gives her husband advancements. As a consequence, both Macbeths are indebted and resentful of him.
MALCOLM. (Male) The
young prince, eldest child of Duncan. He
has reacted to his father’s wantonness with an almost Puritanical
sanctity. But once he is forced to flee,
he takes on, Hamlet-like, the face of wantonness and excess, to look like a harmless
fool to others, and so to spare his life.
After his father’s death, there is the look of one who has grown up too
fast.
DONALBAIN.
(Female) A few years younger than
Malcolm, and in the full bloom of her youth, she is engaged to Mentieth. The men in her life have all worked to keep
her innocent of the ills of this world, or to make light of them, but when she
returns for war, she proves the true daughter of a war-like king. (This
character will take Siward’s lines as Donalbain’s.)
BANQUO. (Male)
In some ways, Banquo is Macbeth’s doppelganger, his other self if he had
let his conscience rule. He has a child,
but no wife (she died in childbirth), and the Macbeths are both friends and
godparents to his child, Fleance. He is
of a humble gentry that spans the way between dukes and common men, so that at
first it was Macbeth’s honour to be befriended by Banquo, and then his peerage,
and now his usurping sovereign. Like
Macbeth, we must see a real warmth from him, a deep and painful friendship.
FLEANCE. (Male
or Female) Banquo’s young child, about eleven years old or so, and full of
that sort of careless innocence that kicks at beehives to see what will
happen. The Macbeths are his second
parents, and he is especially fond of Lady Macbeth who has taken him under her
wing as a surrogate for her own child.
Later, Fleance is saved through the intervention of Mentieth, who brings
Fleance disguised to Dunsinane, to tend on Lady Macbeth in her madness (taking the Gentlewoman’s lines).
MACDUFF.
(Male)
A bull of a man, this fellow is an army all in himself. Second in rank only to the king, he is
fiercely loyal to his motherland, even before the mother of his children. His lineage may be as old or older than the
king’s own, and so firmly ensconced within his rights, he has no
ambitions. There is great love beween he
and his wife—very Catholic in its size, and in its dealings with the world,
quite open.
LADY
MACDUFF. (Female) Also from old
family, whose lineage crosses over many continents and many kings, her loyalty
to the idea of kings transcends who the king may be. Protected by her birthright, she is one of
those sturdy women who’s accustomed to speaking her mind, as though the whole
world were her child or her subject. Her
blind patriotism, and refusal to budge destroys herself and all her young
children, however.
MACDUFF
CHILDREN. (Males and females) The
eldest, hopefully a boy, worships his father to the point of defending him
against every accurate accusation. The
next eldest, a girl, is at that age when everything’s a joke, especially anyone
foolish enough to be serious. If
possible, another child, very young and innocent; the type who can make
sandcastles for hours without saying a word.
And a baby, played by a doll (not
auditioned!).
ROSS. (Female)
The silly spinster aunt of the Macduffs.
She is the type of woman who tries to be everyone’s friend, playing all
sides and pretending she’s a peacemaker.
Therefore, through her foolish simplicity, she becomes an unwitting
pawn. Only when her family is destroyed
does she choose a side. A coward, who
rather than face a crisis, denies it.
LENNOX. (Male
or female) A lord who enjoyed the excesses that Duncan’s court allowed, and
now enjoys and encourages the excesses of Macbeth’s court. Like Ross, he is very willing to play both
sides of the field. But where Ross does
so to stay unnoticed, Lennox does so to remain on top. He is not ambitious, allowing others to take
the fall should things go sour. At best,
he may be called a ruthless survivor.
MENTIETH.
(Male)
The fiancé of Donalbain, Mentieth is the son of a high lordling, perfectly
fit for the younger daughter of a king. He
is fresh-faced and noble in every deeper sense, perfectly ready to go into war
as he is to go into love. However, when
everyone flees after Duncan’s death, he is trapped in Macbeth’s service, where
he plays the role of the obedient servant…even while undermining the
tyrant. It is he who takes the Third
Murderer’s lines, saving Fleance . He will
also take Young Siward’s lines at the end of the play, where poor Mentieth’s
heroism will be paid with death at Macbeth’s hands.
FIRST
WITCH. (Male or Female) Most often in
the guise of a beachcomber, a scavenger who lives off the hoity-toity noblemen
who come to picnic. There is something
of the seagull in ‘em. (Will also play the First Murderer and
Seyton.)
SECOND
WITCH. (Male or Female) A jack of all
trades, who now sells hot dogs, now ring-tosses, now nickelodeons, or plays the
hurdy-gurdy; the keeper of the games. (Will also play the Second Murderer and the
Porter.)
THIRD
WITCH. (Male or Female) A child or someone
child-like, the type who is amused by carousels. (May
double as one of the many children needed!)
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