TEATIME TEN: Teresa Edgerton
Welcome back to the Teatime Ten, an author interview series! Today we have the wonderful Teresa Edgerton, author of many, many, wonderful fantasy novels, including the recently re-released swashbuckling fantasy, the Mask and Dagger Duology.
1) Tell us a
little bit about yourself!
I’ve been making up stories as far back as
I can remember. It seemed like the
natural thing to do. My parents told me
stories, as well as reading to me a lot.
Once I was able to read myself, I
seemed to veer toward the fantastic early.
Although I went through periods where I loved mystery stories, or
historical novels, or romance, I always came back to fantasy eventually. Aside from reading and writing, I love
Christmas, Halloween, and tea parties. I
used to be rather craft-y, but of late my life has been pretty much consumed by
writing and by freelance editing.
2) What's your
latest book about?
My most recently published books are the re-issues of Goblin Moon and Hobgoblin Night (aka The Gnome’s Engine), swashbuckling fantasies in a baroque world inhabited by some of the usual fantasy races, but time has moved on and they’re all considerably more cosmopolitan then their medieval counterparts It’s a world of secret societies, dastardly plots, alchemy, magic, bizarre sciences, and … I feel I would be remiss if I failed to mention it . . . impeccable manners.
My most recently published books are the re-issues of Goblin Moon and Hobgoblin Night (aka The Gnome’s Engine), swashbuckling fantasies in a baroque world inhabited by some of the usual fantasy races, but time has moved on and they’re all considerably more cosmopolitan then their medieval counterparts It’s a world of secret societies, dastardly plots, alchemy, magic, bizarre sciences, and … I feel I would be remiss if I failed to mention it . . . impeccable manners.
My work in progress is the third book in The Rune of Unmaking
series. It’s epic fantasy, set in a
world that has been at war for dozens of years—for some of the characters it
has been more than their entire lifetimes, by a good bit. There is a large cast of main characters who
have all been through a lot, and in this book they go through even more intense
experiences. On a more personal level,
the romance between two of the characters that I know readers have been hoping
to see progress, does progress, but everything else gets a lot harder for them,
too. For Sindérian it’s a time of
transformation; she can never again be the woman she was before, and that’s hard
for her to accept, but maybe she can be something greater. Prince Ruan has so many of his certainties
called into question, and he’s not the kind of person who is accustomed to
doubting himself. The other characters
all face wrenching decisions, too.
3) What inspired
you to write it?
Honestly?
I had made up my mind that I probably wouldn’t be writing any more
medieval type fantasy. (In fact, I have
a detailed outline for a sequel to The Queen’s Necklace, set in a period
roughly similar to the French Revolution, which I am determined to come back to
eventually.) But then the first movie in
the Lord of the Rings trilogy came out and I was swept back, emotionally,
imaginatively, into that earlier type of setting, and so the Rune of Unmaking
books were born. I had also wanted, for
some time, to write a book where one of the themes was redemption, and some of
the ideas from that one worked their way, subconsciously at first, into this
one.
4) What was the
hardest part of the book to write?
I’m at that point now.
The series was originally going to be a trilogy, but after I was about
halfway through this book and still had so much left to write, I realized that
what I had on my hands was two books not just one. So I am trying to sort out the different
story strands, so that all my main characters have an approximately equal role
in both books, and that’s a bit difficult.
I know it can be done, though, and I’m determined.
5) What's your
favorite part of the writing process?
I love all of it. Creating the characters, discovering the
twists and turns of the plot, the world building. I love using words to paint vivid
images. The best part is when I am in
the zone and it all flows out so easily, as though someone else is telling me
the story and I’m just writing it down.
But that can happen at any stage, and when I’m working on any part of
the story. Or, equally often, working on
any aspect of the writing, not happen, unfortunately.
6) What was your
journey to publishing like?
All through my childhood, teens, and twenties
I was starting stories and not finishing them.
Then about the time I turned thirty I had a dream which turned into a
story that obsessed me, and I knew I was going to stick with it however long it
took. As it happens, I had no idea how
long that it would take, or how much effort it would involve, because
really I knew very little about writing for all my earlier attempts. If I had known maybe that would have shaken
me and I would have given up. But that’s
when I got serious about learning, and when I feel that I really started
writing. Six or seven years later, and I
don’t even know how many drafts, my one book had turned into The Green
LionTrilogy, and the first volume was good enough that I felt ready to send it
out to publishers. Of course I was very
nervous, but I just felt that that particular story had reached a point where
it was as good as I was capable of making it.
So I sent it out to a publisher, and was rejected. Sent it out to another, and was
accepted. Which sounds very easy, and
very lucky (and certainly my timing was good because fantasy was extremely
popular at the time) but where someone else might have worked on several
different projects during those years I devoted myself solely to that one.
7) Do you have
any tips for would-be authors?
It’s going to be a long road ahead, so do concentrate your efforts on
stories that you really want to write, instead of trying to follow the market
or writing short fiction because people tell you that’s the best way to begin
or writing a novel because someone tells you that that is the best way to
begin. It’s going to be a lot of work,
and likely years will pass before you see any reward except the pleasure you
take in what you are doing and in seeing the story unfold. Write the story you would most like to read if
somebody else had written it. Beyond
that, read. Read fiction, nonfiction,
poetry, whatever interests you, but read, read, read voraciously. You can absorb so many lessons about writing
that way, without even realizing it while you are learning them. And especially if you are writing fantasy,
and creating imaginary worlds, it helps enormously the more you know about the
ways in which the real world works.
8) You've been
granted the ability for a five course dinner with one of your heroes...and
one of your villains. Who's coming with you?
As to the hero I am a bit torn. On the one hand I’d like to invite Raith from
The Queen’s Necklace, because there is still so much that I don’t know about
him and I’d want to ask him a lot of questions.
But then there is Francis Skelbrooke from Goblin Moon, because … well,
he’s so dashing and romantic. It would
be a bit shallow to pick on those grounds alone, wouldn’t it? So I guess I’ll choose Raith. For the villain, the Duchess from Goblin
Moon. She’s a terrifically complex
character, and though by our lights she can be evil at times there is also a
great deal of good in her. It depends on
which version of her would show up, but I assume she’d be on her good behavior
over dinner, and at her most charming and entertaining. I assume I’m the hostess, so I wouldn’t have
to worry about anything dangerous being slipped into the soup. It would be interesting to see how the two of them interact: an Anti-Demonist and a semi-wicked fairy
9) Your family
has been given a month long vacation in up to three cities. Where are you
all going and what will you see?
London, because I know John would want to
visit all the museums, and I’m sure I’d find plenty to enjoy there myself. I’d want to see the Royal Ballet while I was
there, and visit lots of bookstores. Venice and Prague because to me they both
seem so magical. I think we’d both have
a great time visiting little hidden streets and obscure little shops.
10) What's up
next creatively for you?
After the current
book, then on to the next to finish up the series. And after that is done, I hope the Queen’s
Necklace sequel. In the meantime, as a
side project I’m creating a deck of Tarot cards for Goblin Moon/Hobgoblin
Night.
CONNECT WITH THE AUTHOR:
Connect with Teresa on Facebook and Goodreads. Check out her official website here, and you can purchase her books here!
Connect with Teresa on Facebook and Goodreads. Check out her official website here, and you can purchase her books here!
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Thank you very much for the interview. I've read the first two Rune of Unmaking books, and was in despair that she would ever finish the series. Very happy to see that she is well and working.
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